Rockstar Energy Drink Souvenir Magnet 2.25″ Free Shipping
Rockstar Energy Drink Souvenir Magnet 2.25″ Free Shipping
- Magnet 2.25″
- Free Shipping
- High Quality
Button magnets are perfect for every occasions! Our button magnets are high quality mylar protecting cover buttons. They measure 2.25″ in diameter. Important: In order to get a perfect finished button magnets, please leave room for a bleed if with background. A bleed is where the background images go off the button magnet about 1/4 inch, in order to keep all text and images inside the button magnet, and also leave an extra 1/4″ outside the area. This will bleed off and be flipped under the mylar cover.
List Price: $ 4.99
Price: $ 4.99
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Pat Travers
Pat Travers
Event on 2012-08-22 21:00:00
Pat Travers
Pat Travers was born in Toronto, Canada on April 12, 1954. Soon after picking up the guitar at age 12 Pat saw the legend Jimi Hendrix perform in Ottawa. This obvious inspirational concert must have sparked the young Pat to go after the dream of becoming a star like so many of his early influences. Inspired by such guitarists as Hendrix, Jeff Beck, Eric Clapton and Jimmy Page, Pat began playing in bands early in his teens. His first bands were "Red Hot" and "Merge" who played in Quebec area clubs. While the early years were hard, they would eventually pay off in the form of improved musicianship, style, and exposure.
While performing with Merge, he was noticed by the 50's rock artist Ronnie Hawkins who soon had Pat off on the road performing with him. While Hawkins music was mostly old rock and roll, country and rockabilly, Pat used this experience to hone his skills and voice as Hawkins lead guitarist. After a year on the road with Hawkins, Pat traded in the tuxedoes and ties to go after his true dream, to have his own band and become a star.
At age 20, Pat with the help of some friends he moved to London in hopes of achieving his dreams. Armed with a Marshall amp, a wah-wha pedal, and a few hours of studio time Pat recorded a demo that soon earned him a recording contract with Polydor. Releasing his debut album "Pat Travers" in April 1976 with Mars Cowling on bass, and Roy Dyke on drums, Pat embarked on a tour of England in support of his debut. Adorned in a red and white jumpsuit displaying the maple leaf of his native Canada, Pat increased his following of fans. Trademarks of his early shows included giving away cardboard replicas of his black Fender Telecaster, playing barefoot, and inviting audience member to play "air guitar" on stage during the show. It was with this accessibility to the fans that Pat became an invited performer to the huge Reading Festival in 1976.
Pat released Makin' Magic in 1977 and continued to tour again infront of huge crowds. It was after the release of his album "Putting It Straight" that Pat returned to the North America as the trend in the UK was leaning towards the punk rock revolution instead of the hard blues driven rock that Pat was producing.
Enlisting the talents of Tommy Aldridge and Pat Thrall and of course always inspirational Mars Cowling the release of "Heat In the Street" further strengthen his following. The album featured more of Pat's sometimes elaborate songs which further proved that he wasn't just a mere air headed guitar hero, but that of an accomplished composer and lyricist. Pat Thrall, a great guitarist as well, quickly rounded out the sound and provided Pat more freedom to do other things like expand his keyboard playing. Besides, Pat Thrall's influence from his fusion background provided more fuel for Pat to write from. But Pat realized the best way to hear the Pat Travers Band was to hear it live. So, understanding this the band released its first live album "Go For What You Know" in 1979.
Considered one of his best albums and a "must have" for any guitar fan, "Go For What You Know" introduced many more fans to the music of Pat Travers. Some say that it was with this release that PT garnered his largest increase of fans. Since the album received large amounts of radio airplay and with successful tours with some of the biggest bands, Pat soon found himself at the center of attention amongst aspiring guitarists. The album was one of his best seller and still sells well even many years later.
More and more Pat was being considered a guitar hero, a description he himself was less comfortable with. Expressing himself more musically and with tonality Pat prided himself in these areas more than in speed and trickery. While Pat could certainly keep up with the "fastest" guitarists of the era, his first priority was more in the music than showing off what he could do on the guitar. With this rising respect, Pat found himself on the cover of Guitar Player magazine as the feature artist in January 1980.
In 1980 his release of "Crash And Burn" proved to be an expansion of his already excellent composing skills. The songs were more intricate and used a more diverse method of song delivery. Keyboards and vocals are the true highlight of this album as Pat flexed his musicianship muscles. And while not to disappoint his fans, he still plays awesome guitars on such burners as "Snortin' Whiskey".
Shortly after the there performance in 1980 at the Reading Festival Pat Thrall and Tommy Aldridge left the band. Not one to sit on his laurels, Pat was back in the studio to record "Radio Active" in 1981. This album marked a slight return to his roots by using the classic power trio format that made him a rising star in the UK. Following the album he embarked on a very successful tour co-headlining with Rainbow.
1982 saw the release of Black Pearl, and in 1984 the release of Hot Shot, and a video related release "Just Another Killer Day". Several of Pat's videos were even displayed on MTV.
Mired with problems with management, and with legal problems with Polydor, Pat soon stepped out of the recording industry but continued to tour and kept his contact with the thousands and thousands of fans he had from all the previous years. Once stated as "One forgotten by the industry, but never forgotten by the fans", Pat still retained his fan base and still thrilled anyone who would come to see him perform.
In 1990 Pat re-entered the recording studio with Mars, Jerry Riggs and Scott Zymowski and released "School of Hard Knocks", of course a title that could be considered a self appointed reflection on his career. The release not only strengthened his fans who were so glad to hear new PT, but also attracted more new fans.
After a successful tour in support of "School of Hard Knocks" in the UK, Pat once again toured the US and Canada where a concert in the town of his birthplace was recorded in 1990 and released as "Boom Boom, Live at the Diamond Club". This album proved once again that PT is one to be reckoned with live, favoring the live environment instead of the trickery of the studio. It has been said that "live is where you separate the men from the boys", and this release proves it. A video of the same show was also released and is well worth getting for any fan.
Since PT fans demanded more, and after thousands of requests on the BBC to replay Pat's performances from the 1977 and 1980 Reading Festivals the BBC released "Pat Travers – BBC Live in Concert". As one of the most requested archives in the BBC library it was released on Windsong in 1992 and is of course another of the "must haves" for any true fan.
This new found interest in his music prompted former record company nemesis Polydor to release "The Best of Pat Travers" in 1990, which also was the first release of his material on CD. In addition, Anthology Volume One and Two, a two CD set was also release in the UK and features even more of his material in the CD format. Soon other PT Classics, "Go For What You Know", "Crash and Burn" were also released in the US on CD. Imports were released in Japan of "Heat in the Street", and "Putting it Straight" was released in the UK.
Having been without a US based recording label for many years Pat soon signed with Mike Varney's Blues Bureau International label in the US. The release of "Blues Tracks" in 1993 further expanded Pat's library of sound. The songs are from the "greats" of the blues, many of who were influences of Pat's, but Pat' puts his flare and flavor to these great songs. Following Blues Tracks Pat issued Just a Touch, Blues Magnet, Halfway To Somewhere, Lookin' Up, Best Of Blues + Live, Blues Tracks 2 and his latest release "Don't Feed The Alligators" issued in 2000.
Pat's Blues Bureau years are perhaps his most significant in that he has worked with many musicians and the songs feature more of the classic blues based guitar that fans crave. Some what of a return to the sounds and style that made us pure Travers fans in the first place.
While touring and supporting the latest releases Pat has been impressing old fans as well as new ones all over the US and Europe. Recent tours have featured such well known guitarists as Jeff Watson of Night Ranger, Rick Derringer, and Tim Keiffer of Cinderella. Touring musicians during the early Blues Bureau years included Sean "Cannon" Shannon, bassist Dave La Rue and bassist Kevin Rian. Pat punched out the tunes before adoring fans, in small clubs and stadiums with the same intensity he always had. Irregardless of the crowd size, Pat puts out the same effort night after grueling night.
In retrospect, Pat is gaining a resurgence in his career. After overcoming many problems that would have made most to give it up, Pat still pushes on. Which is much to the appreciation of the fans who continue to follow. Not only does Pat find himself once again climbing towards the top, he can also enjoy it with those that are close to him, his famaily. Pat's wife Monica sings backup on many of Pat's songs both in studio and live. His children Amanda and Elijah have inspired songs and certainly help to excite and inspire Pat to keep doing what he does best, and that is of course making some of the best music possible.
The Pat Travers Band continues to tour around the world, "Makin' Magic" for their die hard fans. While Pat's had some great musicians working with him on past tours he is currently working, recording and touring with Eric "Freight-train" Frates (drums) and Rick Navarro (bass). Rick and Eric are long time friends, and it shows in what they bring to the stage night after night. They provide a nice, tight rockin' platform for PT to lay down his signature licks against.
Much to the pleasure of his fans in 2001 – Pat has made available a LIVE recording of a very rare solo appearance, "Pat Travers Solo". This CD includes the first time ever that Pat has done an acoustic set. It was recorded live at Nils Lofgren's Guitar Bar in Henderson, Nevada.
2001 also saw Pat Travers join the "Voices of Classic Rock" tour, featuring a wide arrangement of musicians from the major bands of the '70's and '80's. Among them are the likes of bassist Glenn Hughes and vocalist Joe Lynn Turner of Deep Purple, John Cafferty, Spencer Davis, and Gary U.S. Bond, to name but a few. This tour features each artist doing two or three of their signature tunes. On this tour, PT is playing "Boom Boom", "Snorting Whiskey", and "HotShot", as well as doing much of the lead guitar work on the other songs..
at The New Parish
579 Eighteenth Street
Oakland, United States
How to Live Off Grid Using Cheap Energy Generator
www.Tesla-Secrets.com TheSuppressed FREE ELECTRICITY Invention of Nikola Tesla – and Tutorial HOW YOU can use it To Generate Free Energy at Your Home. Tesla discovered that we could actually use the suns radiant energy to produce electricity instead of using the suns rays, as we do with solar panels. The sun is constantly radiating energy even when your skies are dark, the sun is still shining onto earth somewhere and it is constantly radiating this energy onto earth. After Tesla died, the government came in and confiscated all his files. They deemed Tesla an enemy of the US because of his Austrian heritage (even though he became a US citizen in 1891). And the invention was buried. In fact, this free energy machine is so simple that it can be constructed with 0 worth of materials from any local electronics store in one weekend. tesla free energy generator http The Technology To Harness The Massive, Untapped Reserve of Cosmic Energy Has Been Unleashed! Magnet Motor, I collected all information that was available …The Lutec 1000 is the first free energy machine to be developed to commercial stage anywhere in the world. Cached – SimilarBuild A Free Energy Magnetic Motor And Enjoy Free Electric | Build … The generator creates energy by itself and powers your home for free, fully off the electric grid. And much more…Cached – SimilarMagnet Motor Free Energy 1 Mar 2010 … Children can move around freely within reach of a magnet motor free energy yielding generator …
SoundPads
SoundPads
Fibonachi Lux Verlag & Coaching~~LiftYourLife of Fibonachi Lux Publishing★ SELF-CONFIDENCE – RELAXATION – FLIRTING – MOTIVATION – RESTFUL SLEEP ★SoundPad CONCENTRATION-FREEPlease Note: This app is still free of charge with the theme: “Concentration”. All other SoundPads are priced per theme.★ Brand New – Effective – Fast – Proven over 1000 fold! Be stress free in 3 minutes ★By using the LiftYourLife SoundPads you will experience after only 3 minutes remarkable improvements. The SoundPads can be easily used anywhere, anytime. In only 3:50 minutes of playtime you can refresh, lift up or relax yourself – without effort on your part.Simply put on your headphones and listen to the sophisticated SoundPads which are integrated into beautiful Wellness-Music. This App is an absolute Must Have!We offer following Themes:————————————★ SELF-CONFIDENCE★ RELAXATION★ FLIRTING★ MOTIVATION★ SLEEP WELL★ CONCENTRATIONUS $ 0.99 per theme (1.00 CHF)————————————-More Themes will follow!Description:Our SoundPads were developed by specialists in the area of personal development and psychology over many years in intensive research.The LiftYourLife SoundPads differ in every respect from old, ordinary methods, such as hypnotic technology, guided meditations, affirmations, mental exercises, binaural frequency beats, subliminals or similar techniques.The unique LiftYourLife SoundPads work through highly stimulating sound sequences which have been processed according to the renowned Fibonacci Number Sequence. Depending on the intended purpose they have a calming, motivating or strengthening effect of one’s consciousness. ———————SoundPad Themes———————★ Concentration——————You want the ability to concentrate well, especially in challenging moments, and at high levels of stress? Experience how much faster you can comprehend study subjects and absorb information, and how relaxed you are to concentrate.★ Self-Confidence——————Do you want more Self-Confidence in all areas of your life? You are longing for a successful life? This SoundPad can help you to feel more free, more relaxed and more stabilized. Be able to say now what you really think and feel!★ Relaxation————-Being relaxed nowadays seems to have become a luxury in our stress filled life. Stress and anxiety are now the major causes for sickness. Resist this trend with this highly effective App and see how fast and lastingly you can experience inner peace and calmness.★ Flirting———-Do you not want to leave it up to happenstance to get to know an attractive person and actually get a date? Flirting is communication. Turn into a flirting expert and experience how easy it can be to get to know an interesting person.★ Motivation————Motivation is the most attractive virtue. It enables us to more success and happiness. Increase your energy level and raise your enthusiasm to tackle on projects. This App will help you to noticeably increase your quality of life.★ Sleep Well————You want a deep, restful sleep, so you feel regenerated and strengthened for the new day? When you want to have a peaceful and regulated sleep experience, then this new App is a must – very effective.—————————SAFETY INSTRUCTIONS—————————THE SOUNDPADS SHOULD ONLY BE USED BY HEALTHY AND MENTALLY STABLE PERSONS.PREGNANT WOMEN, CHILDREN, OR PERSONS WHO SUFFER OF EPILEPSY AND SIMILAR PROBLEMS SHOULD NOT USE THE PROGRAMS. ALSO, PERSONS, WHO REGULARLY CONSUME ALCOHOL OR USE LEGAL OR ILLEGAL DRUGS, MAY NOT USE THESE PROGRAMS.NEVER OPERATE A VEHICLE OR MACHINERY WHILE LISTENING TO THE PROGRAMS.
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Sold by Apple iTunes
Kinetic Mobile Cosmos Desk Toy
Kinetic Mobile Cosmos Desk Toy
This wonderfully hypnotising desk toy has rings that revolve and turn through the power of kinetic energy around a central star. An ideal way to unwind at work or home, this kinetic toy will mesmerise you! Why not use it to demonstrate the wonders of magnetism in your science project at school? If you are looking for an executive office toy with a difference, then this Kinetic Mobile Cosmos Desk Toy is the ideal work gift. Graceful, mesmerizing and hypnotic, this desk toy will leave you entranced and relaxed…and possibly without a fear of flying or eating blowfish… If you are looking for a science toy to add a talking point to your office or home, then the Kinetic Mobile Cosmos is a great choice. It makes a stunning Birthday or Christmas gift and provides an interesting form of stress relief!
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Price: $ 16.12
My Country: build your dream city HD
My Country: build your dream city HD
Game Insight, LLC~~★★★★★”I can’t put it down ! It’s a constant cycle of excitement,wealth and social meeting place ! I love, love, love it !!!! Plus customer service help is awesome !” – My Country fan★★★★★★★★★★Wow! This app has simply blown me away. In three words I can sum up the long hours ahead of me addicted to this game-Best. App. Ever. -My country addict★★★★★#2 Free game for iPad#3 Free App OveralliPhone version: http://itunes.apple.com/app/id466385478**************************** If you are tired from old-school construction games lacking real action, My Country is a city builder for you. This challenging build-a-city game has enough content to entertain you for the longest time ever. Build your own city, develop industries and transportation infrastructure, hire employees, eliminate ecological threats and control energy use. When building a city you are not limited to simple buildings construction. Take on hundreds of tasks for the benefit of your developing city. Moreover, you can even create a complex well-governed country. To be a successful city builder you should:- Build residential buildings to increase your city’s population
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An Evening with Lindsey Buckingham (Spokane, WA)
An Evening with Lindsey Buckingham (Spokane, WA)
Event on 2012-05-21 19:30:00
Lindsey Buckingham
Lindsey Buckingham has accomplished almost everything that can be done in rock 'n' roll, earning a spot in the Rock And Roll Hall Of Fame with Fleetwood Mac, winning countless awards, selling out venues around the world, and helping define the sound of rock for the last 3 decades. He's the predominant musical force behind such Mac albums as Rumours and the innovative Tusk, and has created a critically acclaimed body of solo work that yielded the hits, "Trouble," "Go Insane," and "Holiday Road." But one thing was missing as Buckingham and his band mates were dominating music. "The irony of the bulk of the Fleetwood Mac experience was that none of us were comfortable," Buckingham confesses. "We had this external success going, which was not matched by any kind of internal success. It didn't make any of us whole people or contented people in that sense." Now married and with three kids Buckingham has found that internal success as he puts it. "It really does feel like the best time of my life," he says. That contentment and peace are evident throughout his sixth solo album, Seeds We Sow. From the soft melodic pop/rock tinge of "End Of Time" and the album's most rocking track, "One Take," to the touching "When She Comes Down" and the almost lullaby-esque hushed tones of the gorgeous closing number, "She Smiles Sweetly," the album showcases Buckingham's full arsenal of skills. He attributes his peace to two things. The first is his personal life, "To finally meet someone and to have the family thing happen, that's been a real gift," he says. The other is musical. "If there is a level of contentedness that I've arrived at, part of it is because I think in the last three or four years what I experienced during the solo albums and then what I experienced on the last Fleetwood Mac tour I felt like I had come to a point where there was so much foundation that I had built for myself making incremental steps forward as a musician and as an artist," he says. Those solo albums, 2006's Under The Skin and 2008's Gift Of Screws, as well as the last Fleetwood Mac tour, in 2009, led directly to Seeds We Sow, an album Buckingham didn't even plan on making. So where did it come from? "I think it came from a certain residue of momentum that was left over from the three years I did those two solo albums back to back and toured a lot behind both of them. That was such a great experience, just finally allowing myself to do that," he says. "So I grew a lot during those three years and then of course we went on the road with Fleetwood Mac and did just the opposite, which was to go out and tour without any album at all. And that was sort of freeing because you come to terms with the fact that at a certain point people don't necessarily want to hear anything too new from Fleetwood Mac. All the energy that I took from those three years and the confidence I took out of that three-year experience with those two albums got reapplied to Fleetwood Mac and it helped me to infuse a higher level into that music." How coming to terms with the band that made him a superstar, that success, and the tremendous Mac catalog influenced Seeds We Sow is evidenced from the gentle guitar intro of the opening title track, which Mac fans might recognize as being similar to the classic "Never Going Back Again." But rather than just retread his past he utilized the full scope of his touring experience to mold the guitar sound. "Over a period of years when I was touring by myself, the song 'Big Love' got retooled as a single guitar piece and that was a real breakthrough. The energy I was getting back was extraordinary and it became a template for many other things that followed," he recalls. Buckingham wanted the guitar to be a unifying sound on this record. "Again I was interested in pursuing an orchestral guitar style that would be at the forefront of a lot of tunes," he says. Just as his guitar style on Seeds We Sow is more mature and refined, so too are his lyrics, with one of the standout tracks being the hook-laden "Illumination." "I think the lyrics over the years have actually gotten better because they've gotten a little, I don't want to say obscure, but gotten more poetic in the way they're created," he says, adding, "It's a mysterious process even to me." The result is often sophisticated word play that possesses the rare double gift of being simultaneously personal and open to interpretation. A perfect example being "When She Comes Down," which he calls, "The first song I wrote for my wife," but one that has already piqued curiosity among friends. "Stevie [Nicks] heard that and she goes, 'Who's that about? Some goddess?'" The album's lyrics are Buckingham's most subjective to date and seem to pit social commentary against personal observation. "'Illumination' could be about honest relationships or interrogation, and there's 'One Take,' which is clearly talking about the state of the world, or the state of America at least. But as soon as these are done, the subject matter returns to something more personal. "Even the opening song, 'Seeds We Sow,' is talking about observing a world which seems to be going crazy. But then at the end of the song you're back in bed dreaming or with your spouse and you've turned that whole convoluted world back in on yourself." Sure to be one of the most talked about lyrical passages comes in "End Of Time," where Buckingham seemingly addresses his own mortality, singing, "Even though I may be dead and gone." He believes however that is not as clear-cut a line as it may first appear "The bridge does talk about 'Even though I may be dead and gone,' so it's pretty literal, but, again, you can take that to mean anything," he points out. "You can mean me in the context of having a relationship with someone else. But I wasn't necessarily thinking in terms of the end of a life. It's just the end of a certain way of being I guess, and maybe the end of certain things in the world that may never be the same again." Buckingham, an admirer of up and coming bands like Phoenix and the Dirty Projectors, looks to his current favorite act to illustrate his point. "You listen to that Arcade Fire album, he's going on about just how things were when he was a kid and how he expects them to be, referring to World War or wanting to have a child before all the damage is done," he says. "There's an element of that in there, world and how it affects us." Buckingham has another similarity to Arcade Fire. After 30 years signed to Warner Bros., he is now an indie artist, releasing the album on his own. Where some artists who've been in the confines of a major for most of their adult life might find the change intimidating, Buckingham is embracing his new role as a DIY artist. "I've lived a double creative life. On the one hand there's the large mainstream machine of Fleetwood Mac and on the other hand, the small esoteric machine of solo work. Warner Bros. never fully embraced or supported that small machine. What happens when you pull away from the corporate mentality is that suddenly you're able to deal with people who are free to appreciate your work for what it is without the constraints of politics," he says. The DIY approach extends to the music and recording as well. "I think it's probably the first time I mixed everything," he says. "I'm happy with my work on a technical level. I think it's a good across-the-board representation of what I do," he says. "It shows a certain maturity and musicianship and I just feel like I have a lot of tools in my musical vocabulary from which to draw that are again the product of the choices I've made. It's on my own terms. This is very much from the inside out and I hope I never stop doing that."
at Bing Crosby Theater
901 West Sprague Avenue
Spokane, United States
Linkin Park with Incubus
Linkin Park with Incubus
Event on 2012-08-27 18:30:00
at Gexa Energy Pavilion
1818 First Avenue
Dallas, United States
